The report is published the week after the launch of the Black Writers’ Guild, which is calling for sweeping reforms to a publishing industry where only 11.6% of respondents identified as BAME. It’s partly the point of it Bernardine Evaristo Literature transcends all perceived differences and barriers. Researchers found the majority of publishing continues to cater for what it sees as a “core audience” of white, middle-class readers – “a sort of 50-something middle-class to upper-middle-class white woman who reads a lot because she has time, and she has resources to spend on books,” according to one respondent. The study is based on more than 100 interviews with authors, agents and publishing staff across editorial, design, publicity, marketing and sales, about their practices and their experience publishing writers of colour. The report, Rethinking “Diversity” in Publishing, found that writers of colour are disadvantaged during each key stage of the publishing process, from finding an agent, to having to “fulfil certain expectations of what white, middle-class editors want” with their writing in order to land a book deal.
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